The Rise & Fall of Paramount Records, Volume One (1917 - 1927)
* 800 Newly-Remastered Digital Tracks, Representing 172 Artists* 200+ Fully-Restored Original 1920s Ads And Images* 6x 180g Vinyl LPs Pressed On Burled Chestnut Colored Vinyl W/ Hand-Engraved, Blind-embossed Gold-Leaf Labels, Housed In A Laser-Etched White Birch LP Folio* 250 Page Deluxe Large-Format Clothbound Hardcover Art Book* 360 Page Encyclopedia-Style Softcover Field Guide Containing Artist Portraits And Full Paramount Discography* Handcrafted Quarter-Sawn Oak Cabinet With Lush Sage Velvet Upholstery And Custom-forged Metal Hardware* First-Of-Its-Kind Music And Image Player App, Allowing User Mgmt Of All Tracks And Ads, Housed On Custom-Designed USB DriveHow did a Wisconsin chair company, producing records on the cheap and run by men with little knowledge of their audience or the music business, build one of the greatest musical rosters ever assembled under one roof? The answer lies in ‘The Rise and Fall of Paramount Records 1917-1932,' this epic, two-volume omnibus of art, words and music housed in a limited-edition, hand-sculpted cabinet-of-wonder, to be jointly released by Jack White's Third Man Records and John Fahey's Revenant Records. ‘Volume One,' covers the label's improbable rise from 1917-1927. Paramount Records was founded on a modest proposition: produce records as cheaply as possible, recording whatever talent was available. Over its lifetime, the label would become a “race records” powerhouse, its sound and fortunes directly linked to the Great Migration. By the time Paramount ceased operations in 1932, it had compiled a dizzying array of performers still unrivaled to this day, spanning early jazz titans (Louis Armstrong, King Oliver, Jelly Roll Morton, Fats Waller), blues masters (Charley Patton, Blind Lemon Jefferson, Son House, Skip James), American divas (Ma Rainey, Alberta Hunter, Ethel Waters), gospel (Norfolk Jubilee Quartette), vaudeville (Papa Charlie Jackson), and the indefinable “other” (Geeshie Wiley, Elvie Thomas). Paramount would also directly influence the style of Robert Crumb and countless other 20th century artists and illustrators, through a series of hand-drawn ads promoting its releases in the pages of the Chicago Defender. The ‘Rise and Fall' wonder-cabinet gives equal status to page-turning narrative and new scholarship; original and newly created graphic art; industrial design; and compelling analog and digital music experiences. ‘Volume One' contains the following: * 800 newly-remastered digital tracks, representing 172 artists * 200+ fully-restored original 1920s ads and images * 6x 180g vinyl LPs pressed on burled chestnut colored vinyl w/ hand-engraved, blind-embossed gold-leaf labels, housed in a laser-etched white birch LP folio * 250 page deluxe large-format clothbound hardcover art book * 360 page encyclopedia-style softcover field guide containing artist portraits and full Paramount discography * Handcrafted quarter-sawn oak cabinet with lush sage velvet upholstery and custom-forged metal hardware * First-of-its-kind music and image player app, allowing user mgmt of all tracks and ads, housed on custom-designed USB drive *Dimensions: Length 18.5"/ Width 16"/ Height 5.75"Tracks:6 LPs feature 87 tracks from the collection.USB Drive contains 800 digital tracks by 172 artists across the Paramount family of labels, including the earliest recordings of: King Oliver, Jelly Roll Morton, Blind Blake, Fats Waller, Ma Rainey, Blind Lemon Jefferson, Duke Ellington, Louis Armstrong, Fletcher Henderson, Alberta Hunter, Papa Charlie Jackson, Ethel Waters, Coleman Hawkins, Johnny and Baby Dodds, Bo Weavil Jackson, Jimmy O'Bryant, Buddy Boy Hawkins, Tiny Parham, Jimmy Blythe, and Jaybird Coleman.